no_sin_but (
no_sin_but) wrote2007-11-30 09:55 am
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Marlowe is not, and has never been, a continuous writer. He's too full of energy for that, too quick and hurried with that impossible perfectionistic streak. Instead, he writes in episodes of fevered inspiration countered by episodes of staring and thinking.
Tonight, he is in the latter.
He is sitting in his chair, leaning it back with his leg braced against the table to keep from toppling. Hands linked behind his head, eye bright and sharp and far away.
On the table, there are papers. His play, scattered here there and everywhere, and Darren's letters.
Tonight, he is in the latter.
He is sitting in his chair, leaning it back with his leg braced against the table to keep from toppling. Hands linked behind his head, eye bright and sharp and far away.
On the table, there are papers. His play, scattered here there and everywhere, and Darren's letters.
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Darren supposes that makes sense.
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Also, Marlowe wasn't sure about how to handle it. When in doubt, lie.
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"I am not perfect."
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He selects 'Slaughterhouse Five' and settles on the edge of the bed.
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"Good."
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He's fond of Marlowe the way he is.
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"Thank you."
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But it's fondly said.
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By most everyone. He doesn't let it bother him.
"But you tolerate me."
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"I do."
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He says this with amusement, not worry.
"A man of your talents."
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Affectionate.
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There is going to be a cat.
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Marlowe tends to gravitate towards black, after all.
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Probably a black cat, yes.
"Alright."
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He doesn't think he's naming it Godot though.
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